What's in the Bag?

You hear all the time, it's not the equipment - it's the person using it.  It's not the camera, it's the photographer that makes the shot.  Well, I couldn't agree more, however, having the right equipment for the job can help you achieve the desired results. 

Another saying I like is that the best camera is the one you have with you and I'd have to whole-heartedly agree.  I don't always have my 'big' gun with me, but I always have my iPhone, currently the 16.  I'm amazed at the quality this 12mp camera delivers. And to think, my first digital camera, the legendary Nikon D1 was a whopping 2.47 Megapixels and cost over $8000.00!

Present Day

Always on the quest for optimum image quality is a photographer’s mission. At least that’s what I tell myself. To that end, I have invested in the outstanding GFX system from Fujifilm. It’s a modern medium format system that harks back to the large-format film cameras of the past, like the Hasselblad I describe below, but with a digital sensor nearly double the area of 35mm (often called “full-frame”) cameras. The advantages of medium format cameras are not only the substantial jump in megapixel count, but also larger photosites that capture greater colour depth, smoother tonality and an expanded dynamic range. The level of detail produced by this system and its superb lenses is truly impressive, thanks to its 44 x 33 mm sensor with well over 100 megapixels.

The GFX100Sii is Fujifilm’s latest in their MF system. It has interchangeable lenses that are acknowledged for their colour, clarity and sharpness. Covering the range of 20mm to 200mm (16 to 160mm FF eq.) I am able to handle a wide range of assigments, from architecture, commercial, industrial and portrait photography as well as unbelievable landscapes.

The GFX100RF is a compact, rangefinder style, medium format camera. Although not a true ‘rangefinder’, it does have a fixed (non-interchangeable) lens of 35mm (28mm full-frame equivalent). This has quickly become my EDC, or Every-Day-Carry, camera. Some of its unique features include an aspect ratio dial and digital zoom lever.

The X-Pro3 is a professional-level APS-C format camera. It’s much lighter and more compact than the GFX medium-format bodies, yet still capable of producing excellent, high-quality images. I’ve used this camera for several years; while I have made large prints from its files, I primarily use it for work that will appear online—websites, catalogues, and editorials—or for smaller print formats like magazines.

The Journey

I started out with a Balda 'Baldix' that my Dad gave me.  It was a square format fold-up camera that used 120 roll film.  You had to wind the film forward after each shot and 'cock' the shutter before firing.  There was no light meter to calculate exposure.  It was trial and error, taking notes and guesstimation.  At the time, I didn't even know a light meter was an option!

From there, I upgraded (my Dad again) to the venerable Yashica LM Twin-Lens Reflex Camera.  This camera came out the year I was born, 1957.  The LM stood for 'Light-Meter'.  Now this was a modern camera! One lens to compose and focus through and the other to capture the shot with.  You looked down through the top of the camera and the image was reversed, but at least it was right-side-up.
 
This is also a square format camera that accepted 120 roll film. Pictured with the Yashica is a roll of Kodak Verichrome Pan Film (VP 120) still in it's orginal box, unopened with the 'Develop Before' date of March, 1967.

These were great cameras and are still working today.  They sit in a place of honour on the mantle in my den.  Every now and then I pick one up, set the shutter and fire off a round or two.  That solid mechanical 'click' was something to experience.

Photography took the back-burner for a while but when the interest came up again near the end of high school, my first 'real' camera was the Canon FTb.  So to all you Canon users that knock me for using Nikon... I actually did start out with Canon.  In fact, along with the two cameras above, one of my three Canon F1's sits in a place of honour on the mantle.

My Canon career took me through the FTb, two AE-1's, three Canon F1's, a T-90 (a camera way ahead of it's time as far as I'm concerned) and an EF (also ahead of it's time but never really caught on).

And yes, that's an old Speedotron 2401A Power Pack the F1 is sitting on!

TURNING 'PRO'

It was near the end of my Canon days that I made the move to Professional Photography.  Shooting weddings 'back in the day' wasn't considered professional unless you shot with Medium Format.  Bronica, Mamiya, Hasselblad and Pentax were the big names.
 
I tried the Mamiya RZ67 for a while, but it was just too big (6x7 format) to hand-hold at weddings. Otherwise, this was an amazing camera!  So I started to look for a smaller medium format camera.  I avoided the Hasselblad counter at Vistek like the plague.  It was expensive and I didn't want to go there.  But after trying the competition I finally gave in and tried one.  It was love at first click!  As soon as I picked up the 503cx I knew it was my camera.  I wish I still had it, the 503cx and later the 503cw.

They were beautifully crafted and definitely work-horses.  The Zeiss lenses were second to none and I had 4 of the best, the 50mm, 80mm, 120 Macro and 150mm.  Funny how now I have three zooms and find that restricting.  I don't even have a picture of either of my beloved Hassy's.  So sad. This one of the 503cw is borrowed off the internet and styled to coordinate with the page.  Maybe one day I'll pick up a used one just to sit on the shelf next to my other 'antiques'.

The Hasselblads lasted for nearly 15 years.  Not one repair, never a break-down.  Some of my best, all-time favourite images were taken with those two cameras.

I have also used, and still have a Calumet 4x5 Rail Camera with an outstanding Linhof Lens. I haven't used it in years, and only once for a professional job. This is a slow camera to use, with the image being not only reversed, but upside down in the viewfinder. This camera forces you to learn composition like no other.  I still have some 4x5 film holders and maybe someday will load a couple just for the joy of it.

AND THEN CAME DIGITAL

The world was changing and going digital.  Talk about a roller-coaster ride.  Well, in summary, the Hasselblads got traded in, along with the Canon (all except my F1) and digital I went.

In the same time I had two Hasselblads, I've gone through 8 or 9 digital cameras, starting with the Nikon D1. Then came the D1x, two D200's, a D70, two D300's, the D700 and finally the amazing Nikon D800e at 36 Megapixels.

With the Nikon D800e I finally had a digital camera that I believe is on par, if not surpases my 'Blads. The sharpness and clarity of this camera is phenomenal. When I want the absolute best possible quality, for portrait, commercial or landscape/fine art photography, this is my camera. This is not a camera for the casual user. Because of the high resolution, it has to be handled with perfect technique, more like a medium format camera than an dSLR. 99% of the time I'm shooting from a Gitzo tripod or a studio stand.

OH!  and the Bag... it's the F-Stop Gear "Tilopa BC" Backpack. I think I've finally found the ultimate camera bag. It holds ALL my gear, including the X-Pro 3, lenses, filters, accessories and the GFX100RF along with tripod, chest-waders, water shoes, extra clothing and food. When I'm not needing everything, it's still the most convenient and versatile camera bag I've ever used and weighs next to nothing while carrying it.